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Views of the City: Barbarian, Savage and Civilian, triptych, 1991-93

(three panels oil and gold leaf on canvas),

86 x 124, 124 x 86 & 86 x 124 cm (34 x 49″, 49″ x 34″ & 34 x 89″),

[now at three sites: Private Collection London, Lawyer’s office Bromyard,

and artist’s collection Hereford]

Frenzy & Self Control #1 (Merce Cunningham)

(mixed media on paper)

October 87, triptych, lefthand panel, 1987-88

(oil on canvas) 132 cm x 122 cm (52″ x 144″)

[In the collection of Hazel Smith and Roger Dean, New South Wales]

October 87, triptych, centre panel, 1987-88

(oil on canvas) 132 cm x 122 cm (52″ x 144″)

October 87, triptych, righthand panel, 1987-88

(oil on canvas) 132 cm x 122 cm (52″ x 144″)

Melody Chambers 2

(oil on hessian and canvas with plumb line and bob and sculpted spirit level)

91.5 cm x 183 cm (36″ x 72″)

[In the Eric Mottram Archive, King’s College, London]

Melody Chambers 3

(oil on two canvas panels hinged, with sculptured wood form in centre)

91.5 cm x 183 cm (36″ x 72″),

[In the collection of Hazel Smith and Roger Dean, New South Wales, Australia].

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Scattered X, 2000 (water colour on laid paper) 48 cm x 71 cm (19″ x 28″)

Other Scattered Studies are in process of updating

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October 87 Towards Derivation I

(ink on paper) 71 cm x 100 cm (28″ x 39″)

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TRAPS: an extensive project involving poetry, drawing, painting, talking, performing

TRAP studies and paintings: a selection (9.4 MB)

Traps or Tools & Damage, an essay

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Myths of Male Dominance, 1988

(Charles Olson makes a proposal to William S. Burroughs and

Jackson Pollock, whilst Eleanor Burke Leacock and Eric Mottram look on.)

(oil on canvas) 107 cm x 183 cm (42″ x 72″)

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